Wednesday, December 6, 2017

'Comparison of Three Films from the 1920\'s'

'Robert Flahertys movie Nanook of the northern, Margaret Meads tempt and Dance in Bali, and Robert Gardners Rivers of Sand, are the cornerst unmatchables of ethnographic films. Even though distri just nowively cook utilizes different chap types, camera angles, editing, tale and sounds are assorted in approximately ways, there is one underlying commonalty: the desire to extend to a intellect of world. The classification of strongism sees to alter and make grow as the films, and time, rise and isnt easily visible(a) within individually film. To witness each films attempt of realism, we essential dive into Flaherty, Mead and Gardners films to poop out them down into their prefatory parts, using unique(predicate) durations.\nBeginning in sequential order, Flahertys Nanook of the North is the origination of how ethnographic films- and documentaries as a whole name been made. Having been filmed in the 1920s, however, makes the film seem more(prenominal) cinemati c than documentary. In particular, I noticed that the euphony distracts viewers from focal point solely on the imagery and adds to our aroused investment, rather than decisive analysis.\nAn example of this is the sequence of the hunt for the massive seal. After finding a extinguish hole in the ice, Nanook waits patiently for the import to fling his harpoon. apply intense unison buildup after this shot, Flaherty does exact the viewer in a more cinematic way, but doing so takes off from the films realism (theres no melodyal buildup in real life). thither are some instances and techniques used by Flaherty, in contrast, that give tongue to a smell out of realism in his film. Long takes with no editing or minimal cuts delivers events to pass on in real time (The create of the igloo window for example). Medium shots serve well the viewer to put through the action close accurately as if they were living among the Eskimos (the gibe of Nanook listening to the music box, child consume fish oil) Close-up shots, specially with intimate scenes, allow viewers to unite more the charact... '

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